![]() Cyrus doesn’t even bother hiding that her overwrought chanting on Muddy Feet is inspired by pop’s most inordinate voice Sia, and just tacks her onto the back end of the song.Īround a dozen names are given production credits, the list reads like a who’s who of pop purists yet no one injects their personality into the soundscape. ![]() You can even track down the geneses of so many of the album’s facets: The chintzy tropical accents on Island mimic a sound that’s recently brought Harry Styles stupefying levels of success, River is a clunky facsimile of Lady Gaga’s signature mechanical frenzy. The singer has made worse-sounding albums, but Endless Summer Vacation is Cyrus' first release that is bland. Never has there been less of an incentive to tune into whatever Cyrus is doing. Pedestrian synth-laden beats hold back Cyrus’ quest to rediscover love and redefine herself. She dials down the controversial antics to make the music the centre of attention, but it’s all so square and predictable. On her eighth studio album, Endless Summer Vacation, the thirty-year-old covers vintage dance-pop. 2013’s Bangerz was filled with gaudy neon lights and unmelodious hooks, Younger Now was a mild foray into country, and Plastic Hearts was Cyrus’ uneven love letter to the rock music that shaped her. The singer has affected a new striking skin with each album cycle, a process that’s helped keep her at the top of the pop world even when her music has lacked quality. Although the first stage of Miley Cyrus’ career was carefully mapped out for her by Disney executives, she’s been hell-bent on being whoever she wants to be since separating from the Hannah Montana brand. ![]()
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